South of Nothing: The Photographs of Soham Gupta

When life’s hard, time’s a motherfucker.

Blasted: On Reza Abdoh’s Tight Right White

He ate camp and shat punk, his style a fizzing intestine stuffed with culture’s slime and scraps.

Bidoun Mix 5: Meriem Bennani

Low-key evil

We Are The Lines of Control: Unraveling Naeem Mohaiemen

Like a kite catching thermal winds

Matter and Mind

As a child in Tehran, the artist Shirin Sabahi took weekly painting classes not far from Park-e Laleh, or tulip park, in the city center.

Bidoun Mix 4: Ma’an Abu Taleb

Ma3azefizm

The Night Journey of Ahmed Bouanani

In the stillness of the house at Aït Oumghar there are ghosts of cats.

Book of Judges: Larry David and the War on the War on Comedy

The war of all against all against nothing

Sweet Talk: A Conversation with Thuraya Al-Basqsami and Monira Al Qadiri

I feel like there’s a forest inside me, full of vegetation. Like a bowl of tabbouleh.

Louvre Me Tender

Soft power plays

Bidoun Mix 3: Ghazal

Mix Suedi

The Video People

1990s VHS Tehran Cinephiliacs

Bidoun Mix 2: Deena Abdelwahed

FutureArab/ClubSounds

Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part II

Precluding the indifferent, eradicating void and uninspiring vastness of, for instance, sunsets.

Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part I

I hope these words make you cry.

Mary Boone is Egyptian

“I find the whole notion of celebrity embarrassing.”

Ghariba

Love and romance, dating and friendship, loneliness and community, all set against the terror of aging.

Bidoun Mix 1

Post-(((Persian))) Happy Softcore

News

Book launch: Sophia Al-Maria, Sad Sack; in conversation with Michael C. Vazquez

92089551-9318-4fed-9a4e-6512bdd12d2a.jpg
Sophia Al-Maria, Sad Sack (Book Works, 2019). Photo: Laura Cugusi

e-flux
311 East Broadway
New York, NY 10002
Wednesday, May 29, 2019, 7pm

Join Bidoun Contributing Editor Sophia Al-Maria and Senior Editor Michael C. Vazquez in reading and conversation on the occasion of the publication of Sad Sack (Book Works, 2019), a book of Al-Maria’s collected writing. Taking inspiration from Ursula K. Le Guin’s 1986 essay “The Carrier Bag Theory of Fiction” in its nonlinear mode, Sad Sack’s essays encompass, among other things, the author’s fateful coining of the phenomenon known as “Gulf Futurism,” (zigzag) personal essays that offer up the seeds of her “premature” memoir, The Girl Who Fell From Earth, as well as Al-Maria’s experiments in fan-letter fiction – “Dear Tayeb” (Salih), “Dear Kurt” (Cobain), and “Dear Britney (Axis Mundi)” (Spears), among others. New and previously unpublished pieces sit with others originally commissioned by Artforum, Bidoun, e-flux journal, Creative Time Reports, and Serpentine Galleries.

Read Al-Maria’s writings in Bidoun here, as well as her curated collection from our archive, entitled “We are TMI.”

Sophia Al-Maria is an artist and writer living in London. She is contributing editor of Bidoun, and guest editor of The Happy Hypocrite – Fresh Hell, issue 8 (Book Works, 2015). Al-Maria’s memoir, The Girl Who Fell to Earth (Harper Perennial, 2012), was translated into Arabic and published by Bloomsbury Qatar in 2015. In 2016 Al-Maria presented Black Friday, her first US solo exhibition at the Whitney Museum of American Art, New York, and was nominated for Film London’s Jarman Award. In 2018, Al-Maria exhibited ilysm at Project Native Informant, London, and was Whitechapel Gallery’s Writer in Residence — her exhibition BCE (Whitechapel Gallery, January – April 2019), draws on a year of performances and readings presented with Victoria Sin. Forthcoming exhibitions include Tate Britain, London (2019), and Julia Stoschek Collection, Dusseldorf (2020).

Mehrnaz Afzali’s The Red Card: A Portrait of a Somehow Endearing Criminal

This soap operatic affair, which has captured the attention of millions, began more than three years ago…

Samandal: Super friends

“Besides your dentist, who reads it?”

Yasmine Hamdan

It’s very weird, because you can change the meaning just by taking a bath beforehand, or having a fight with your mother. I’m a moody singer.

The Clash of Images

In this Borgesian set of very short, short stories that are part memoir, part fable, part criticism, a young Abdallah, who serves as the central character through most of the stories, comes of age in a small unnamed town on the coast of Morocco.

The Turban & the Hat

Throughout his career, Sonallah Ibrahim, one of contemporary Arabic literature’s most respected figures, has balanced a sense of outrage at the political and moral corruption permeating the neocolonial situation, against the subtler devices of literary writing.