Bidoun seeks a few good interns in its New York City offices!

Interns will be assigned to one or a combination of the following areas: magazine distribution, research related to Bidoun magazine or ongoing projects (such as the Bidoun Library), archiving, production, and beyond.

We seek special interns in three fields in particular:

Development
Publicity
Visual Arts

Interns who could work for a minimum of 3 months will be privileged.

Send cover letter outlining interests and CV/resume to info@bidoun.org with subject header BIDOUN INTERN.

Transition: An International Review is an award-winning journal of Africa and its many diasporas — where a strikingly large number of Bidounis got their start. On December 8th, Bidoun’s Michael Vazquez and an all-star cast mark the 50th anniversary of Transition’s founding with performances, readings, and an editor’s roundtable, hosted by Kelefa Sanneh and Sharifa Rhodes-Pitts.

Tickets and more information here.

On December 7th Bidoun’s Negar Azimi will join William Wells, Director of Cairo’s Townhouse Gallery of Contemporary Art, and Glenn D. Lowry, Director of the Museum of Modern Art, in a sprawling conversation about the arts in the swiftly changing Middle East. Azimi will narrate the various and vexed issues related to the production of Bidoun #25, made in Cairo.

Tickets and more information here.

Albert Cossery in Cairo

On December 6th Bidoun joins forces with New Directions and The New York Review of Books for a panel discussion on the late Egyptian novelist, Albert Cossery, whose greatest subject was laziness, and whose characters — anarchists, revolutionaries, retired philosophers — seek happiness by doing as little as possible. A scene in Tahrir Square from The Colors of Infamy, recently published by ND, appeared in Bidoun #25. The panel includes Robyn Creswell, poetry editor of The Paris Review, Cossery’s translators Anna Moschovakis and Alyson Waters, and Bidoun‘s Anna Della Subin.

Featuring contributions from Gini Alhadeff, Sinan Antoon, Anand Balakrishnan, Hampton Fancher, Sophia Al-Maria, Fatima Al Qadiri, Lynne Tillman, and more.

The twenty-fifth issue of Bidoun responds to the Egyptian revolution that began on the 25th of January. In April and May, a group of Bidoun editors went to Cairo in order to better understand what happened, and what did not happen, during the eighteen days of revolt and since…. Bidoun 25 is the result – the product of over fifty unique interviews in Arabic and English, along with roundtable discussions, political party platforms, TV transcriptions, overheard dialogue, dreams, tweets, and email forwards. The result is a composite portrait, at once disjointed and revealing, partial but not trivial.

The launch of Bidoun #25 at Artists Space will bring together friends from the Bidounisphere to reveal, perform, show and tell some of the things discovered in Cairo.

After-party featuring Egyptian shaabi music by Rainstick and Azizaman
Santos Party House
96 Lafayette Street
9:30pm til late

May 22 – August 14, 2011
Opening Reception: Sunday, May 22, 4-6 pm
The Big One: Live music performance by Hassan Khan, May 22, 5:15pm
Queens Museum of Art

On the occasion of the opening of his video installation The Hidden Location (May 22, 4:30pm), Bidoun contributing editor Hassan Khan will perform his music set The Big One (2009), a 45 minute piece made up of oscillating juxtapositions of heavy synth-based New Wave Shaabi music with delicately wrought tonal compositions. The exhibition is curated by Queens Museum of Art Van Lier Fund Fellow — and fellow Bidoun contributing editor — Sohrab Mohebbi.

In addition, on May 20, 7-9 pm, after a screening of selected single channel videos, the artist will discuss the work on view at e-flux, 41 Essex St, New York.

http://www.independentnewyork.com/
http://www.thearmoryshow.com

This past Sunday Bidoun screened a special hour-long montage for BLVCK AMERICA’S inaugural BLVCK EYE film night at the Ace Hotel in New York. Responding to popular demand, we’ve uploaded it for all to see along with some photos of the screening.

The montage is comprised of shorts and clips from materials which in some manner depict a relationship between Iran and the rest of the world: Farsi in American films, English in Iranian films, French directors commissioned to make films in Iran — even Princess Soraya Bakhtiari’s acting debut in a throwaway Antonioni film.

Click here to see a guide to source films.

BLVCK AMERICA’s Saheer Umar introduces the BLVCK EYE series

Team Bidoun (Lisa Farjam and child, Babak Radboy, and Tiffany Malakooti) on deck

A scene from The Invincible Six directed by Jean Negulesco. Shot entirely in Iran, the film features Elke Sommer (seen here as a village vixen) along with some marginal Hollywood figures but also includes Iranian cast members (Behrouz Vossoughi) and production team (Fereydoun Hoveyda is credited as a “consultant” and Masoud Kimiai as “assistant director”).