The Bidoun Library is seeking manifestations of the Revolution of January 25th in magazines, newspapers, books, and miscellaneous printed matter. We do not seek a complete and democratic collection of everything printed just ahead, during and after the 25th, nor of the best, most insightful, or lucid accounts in print, but printed materials which are more than anything else OBJECTS, necessitated, transformed or intervened upon by the continuing revolution.
In our experience, this approach tends to produce two types of documents: first, there are materials which are produced to meet new needs or markets among the public, or by new channels of distribution and socialization opened by an event. In general these are materials that would not have existed before these events and may not exist after. This could include newspapers and leaflets produced in, during, and for the demonstrators in Tahrir, for example, or hastily produced commemorative magazine issues or books produced directly after.
Another prime site of the material manifestation of an event often appears in the ways it is refracted in existing modes of cultural production. For example the way the revolution appears in teen and celebrity magazines, advertisements, sports papers, occult and conspiratorial pamphlets, romance novels, comic books, children’s books, auto decals and stickers, trade journals, pop-political analysis, hastily produced biographies of presidential hopefuls, yellow pages, real estate and travel guides, and so on.
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The Bidoun Library is a peripatetic collection of printed materials from and about the ‘Middle East,’ as a product and producer of printed materials. It has traveled extensively throughout the region, from Abu Dhabi to Beirut to Cairo. This summer the Library will spend several months at the Serpentine Gallery in London. All materials donated to the library will be credited and all purchases on its behalf compensated, by arrangement with its librarians. Upon request, Bidoun will return materials after documentation.
Email info@bidoun.org with queries. Though this is an ongoing project, any materials sent to us by the first week of May would be helpful as potential inclusions in the summer issue of Bidoun. Materials could be dropped off at the Townhouse Gallery in Cairo, 1st floor.
the true tale of the Naga Jolokia, the world’s hottest chili). We were more interested in the apparatus of celebrity and fandom; in the body as commodity; in the mind games and energy drinks and exercise tapes.
And so we set out to find the most improbably compelling figures in the wide world of sports. Like Mohammad Khordadian, the elusive, effusive god-king of Persian dancercise, whose thirty-year career spans Tehran and Tehrangeles and Dubai. Like Omar Sharif, smoldering star of stage and screen and roving ambassador for the not-yet-Olympic sport of Bridge. Like Nada Zeidan — archeress, spokesmodel, and road-racer by day, emergency room nurse by night. Like Shah Rukh Khan, the Muslim face of Bollywood cinema and owner of his own cricket team, the Kolkata Knight Riders. Like Stephen Cherono and other Kenyan long- and middle-distance runners who have found infamy and fortune as Arabized athletes in the Gulf.
Other features consider avian sports medicine, intramural three-legged racing, competitive Magic: The Gathering, and transcripts from Iranian state television’s #1 sports show.
In the arts section: Neil Beloufa’s ghosts of futures past, Alvaro Perdices’ ruined Algerian museums, and Mathieu Kleyebe Abonnenc’s tricontinental revolutionary séance.
Revews: Nicky Nodjoumi // Karthik Pandian // Mathaf: Arab Museum of Modern Art // Pouran Jinchi // Decolonizing Architecture // Walid Raad // Mounira Al Solh // Wael Shawky.
Plus: Sohrab Mohebbi’s letter from an Iranian soccer pitch, Dave Tompkin’s encounter with electronic music pioneer Hashim, and red velvet cake with Yemeni-American boxer Saddam Ali.
March 12, 2011
Here — but not yet there — stay tuned!
