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July 28, 2011

Bidoun Library Saturday Seminar: Samandal

Saturday, July 30
Samandal Comics
Sackler Centre of Arts Education, 3pm
Serpentine Gallery, Kensington Gardens, W2

Hatem Imam, co-founder of Samandal Comics, will host this week’s Saturday Seminar about this tri-lingual quarterly comic magazine.

Hatem Imam is a visual artist and designer whose work includes print media, installation, photography, video, and painting. In 2007, he co-founded Samandal comics magazine. He is board member of the 98weeks research project, the artistic director of the Annihaya record label, and a founding member of the art collective Atfal Ahdath. Since 2007, he has been teaching at the Department of Architecture and Design at the American University of Beirut.

Samandal Comics is a Beirut-based magazine dedicated to comics, with contributors from all over the world. The goal of Samandal is to provide a platform on which graphic artists may experiment and display their work, generating contemporary reading material for comics fans.

www.samandal.org

The Bidoun Library Project is up at the Serpentine from 12 July – 17 September. Click here for a complete schedule of Saturday Seminars.


September 14, 2010

Rayya Badran Selected for Bidoun/Delfina New Writing Residency

Delfina Foundation and Bidoun are pleased to announce that Rayya Badran has been selected for the Bidoun/Delfina New Writing Residency, supported by the British Council.

Rayya Badran (b. 1984) is a writer based in Beirut who focuses on the performative nature of the voice as well as on characteristics of aurality and music in film and video. In recent years, her research has explored melancholy in music. Her first publication entitled Radiophonic Voice(s) was produced in the framework of Ashkal Alwan’s Homeworks 5: A forum on cultural practices in April-May 2010, Beirut. The publication engaged two radiophonic events recorded and filmed in 2006 during the Israeli war on Lebanon. Rayya will be in residence in Winter of 2011 during which time she will research how popular culture, specifically Western music, is received, lived and later theorized among different generations in the context of Beirut.


July 29, 2010

Bidoun Library at the New Museum

New Museum (5th Floor)
August 4 — September 26, 2010
235 Bowery
New York, NY

The Bidoun Library Project at the New Museum is a highly partial account of five decades of printed matter in, near, about, and around the Middle East. Arrayed along these shelves are pulp fictions and propaganda, monographs and guidebooks, and pamphlets and periodicals, on subjects ranging from the oil boom to the Dubai bust, the Cold War to the hot pant, Pan-Arabs to Black Muslims, revolutionaries to royals, and Orientalism to its opposites.

Most of the 700-odd titles on display were acquired specifically for this exhibition. The shape of the collection was dictated primarily by search terms on the World Wide Web rather than any intrinsic notion of aptness or excellence. Searching for “Arab,” “paperback,” “1970s,” and “<$3,” we acquired dozens of books about the Oil Crisis, the cruel love of the Sheikh, and the lifestyles of the nouveau riche. A similar search for “Iran” produced its own set of types and stereotypes. We did not set out to find the best books about, say, the Iranian revolution; in a sense, we looked for the worst. Or, rather, we tried to look at what was there.

The result is less a coherent group of titles or texts than an assortment of books as things, sorted roughly into four themes or units. Catalogues hang from the ceiling in front of each shelf cluster. Inside is a documentation of a selection of books from that shelf, in dialogue with excerpted texts and images from the library as a whole.

The Bidoun Library includes a program of Iranian film, video, and television culled from low-fidelity DVDs and VHS tapes that circulate among Iranians in the Diaspora. The selection includes post-revolutionary variety shows, music videos, and other totems of middlebrow—unibrow?—culture. This is an Iranian cinema unlikely to be shown at Lincoln Center.


July 27, 2010

Bidoun Library at the New Museum, New York

New Museum (5th Floor)
August 4 — September 26, 2010
235 Bowery
New York, NY

The Bidoun Library Project at the New Museum is a highly partial account of five decades of printed matter in, near, about, and around the Middle East. Arrayed along these shelves are pulp fictions and propaganda, monographs and guidebooks, and pamphlets and periodicals, on subjects ranging from the oil boom to the Dubai bust, the Cold War to the hot pant, Pan-Arabs to Black Muslims, revolutionaries to royals, and Orientalism to its opposites.

Most of the 700-odd titles on display were acquired specifically for this exhibition. The shape of the collection was dictated primarily by search terms on the World Wide Web rather than any intrinsic notion of aptness or excellence. Searching for “Arab,” “paperback,” “1970s,” and “<$3,” we acquired dozens of books about the Oil Crisis, the cruel love of the Sheikh, and the lifestyles of the nouveau riche. A similar search for “Iran” produced its own set of types and stereotypes. We did not set out to find the best books about, say, the Iranian revolution; in a sense, we looked for the worst. Or, rather, we tried to look at what was there.

The result is less a coherent group of titles or texts than an assortment of books as things, sorted roughly into four themes or units. Catalogues hang from the ceiling in front of each shelf cluster. Inside is a documentation of a selection of books from that shelf, in dialogue with excerpted texts and images from the library as a whole.

The Bidoun Library includes a program of Iranian film, video, and television culled from low-fidelity DVDs and VHS tapes that circulate among Iranians in the Diaspora. The selection includes post-revolutionary variety shows, music videos, and other totems of middlebrow—unibrow?—culture. This is an Iranian cinema unlikely to be shown at Lincoln Center.


May 7, 2010

Abboudi Abou Jaoude Talk at 98Weeks

Saturday May 8th, 5:30pm
Bidoun Library & Project Space @ 98 Weeks
Jisr el Hadid, facing spoiler center, Chalhoub building, Ground floor, Beirut

Publisher (Al Furat Publishing) and collector Abboudi Abou Jaoude will present his collection of Lebanese and regional historical art and cultural magazines from the 30s to today. Examples of the discussed magazines will be available for consultation at 98weeks project space.

This event is part of 98weeks’ research, On publications, and coincides with the Bidoun Library on display at 98weeks until May 15.


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